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#140 – Spider-Man: Homecoming and Redeeming Fatherhood

#140 – Spider-Man: Homecoming and Redeeming Fatherhood

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#140 – Spider-Man: Homecoming and Redeeming Fatherhood

July 20, 2017Mikey Fissel Action, Adventure, Comic Book, podcast, RWT0

On this episode of the Reel World Theology Podcast:

We talk about Sony finally giving in and letting Marvel (or Disney, if you prefer) having a shot at the web-slinger. While there are a few people who still hold to the Rami films as the gold standard, our panel talks about what Homecoming does that really sets itself apart from previous Spider-Man films and how that has reinvigorated a character that just couldn’t get traction in a world that was ripe for superhero movies. It’s a FUN one.

Download Episode 140 Here:

Reel World Theology #140 – Spider-Man: Homecoming and Redeeming Fatherhood
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This episode’s panel included Matt Anderson and Rick Lee James:

Matt Anderson (@manderson555)
The Sci-Fi Christian (@scifichristian)
Comic Book Time Machine

Rick Lee James (@RickLeeJames)
www.RickLeeJames.com
Voices In My Head Podcast

Podcast Notes and Links:
Reel World Theology Discussion Group
Spider-Man: Homecoming at IMDB
Spider-Man: Homecoming at Rotten Tomatoes
Spider-Man: Homecoming Review at Reel World Theology
Spider-Man: Homecoming Review at Reel-Gospel
In Spider-Man: Homecoming, Greatness Starts with Becoming a Servant at Christianity Today
Spider-Man: Homecoming: 5 of the Best Easter Eggs at Vox

Written by Mikey Fissel

Mikey Fissel (@fizzification) is the Creator/Producer/Managing Editor of Reel World Theology. He lives in Greensboro, NC with his wife, Laura, and their three children. He finds much joy from recounting his catch-phrase, "Story is Powerful and Entertainment is Not Mindless..."

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About Reel World Theology

In today’s world, the medium of film is reaching more and more people than ever before. With American domestic box office sales of over $10 billion in 2012, cinema has a direct line into our culture, our homes, and even our beliefs. It would be foolish to think that these movies, all of which are telling narratives of heroes and villans, science fiction and history, and everything in between, do not have direct access to dictating culture and ideology.

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