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#058 – Furious 7 and Exactly What You’d Expect

#058 – Furious 7 and Exactly What You’d Expect

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#058 – Furious 7 and Exactly What You’d Expect

April 20, 2015Mikey Fissel Action, podcast, RWT0

On this episode of the Reel World Theology Podcast:

Yes, believe it or not, Furious 7 is setting box office records and finding a way to make some grown men cry. I imagined the average critic would find this appalling but the average critic has this movie sitting at 82% on Rotten Tomatoes. Something about this over-the-top action movie is pushing the right buttons and we want to get to the bottom of it. Family, continuity, and how to respectfully critique the talents of a passed away actor, all on this episode.

Download Episode 058 Here:
Reel World Theology #058 – Furious 7 and Exactly What You’d Expect
Reel World Theology on Stitcher

This weeks panel included Griffin Kale and JR Forasteros.

Griffin Kale (@griffin_kale)
RWT Contributor
www.griffinkale.com

JR Forasteros (@jrforasteros)
JRForasteros.com
NorvilleRogers.com
The Storymen Podcast
Origami Elephants Podcast

Podcast Notes and Links:

Furious 7 on IMDB

Furious 7 on Rotten Tomatoes

The Fast and the Furious on Wikipedia

Furious 7: A Furious Family Love at Let There Be Movies

The Bombastic Beauty of Furious 7 at Think Christian

Furious 7 Review at Reel-Gospel

Written by Mikey Fissel

Mikey Fissel (@fizzification) is the Creator/Producer/Managing Editor of Reel World Theology. He lives in Greensboro, NC with his wife, Laura, and their three children. He finds much joy from recounting his catch-phrase, "Story is Powerful and Entertainment is Not Mindless..."

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About Reel World Theology

In today’s world, the medium of film is reaching more and more people than ever before. With American domestic box office sales of over $10 billion in 2012, cinema has a direct line into our culture, our homes, and even our beliefs. It would be foolish to think that these movies, all of which are telling narratives of heroes and villans, science fiction and history, and everything in between, do not have direct access to dictating culture and ideology.

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