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Championship Mercy in Win or Lose (2025)
Pixar has always been a master engineer of, as Roger Ebert calls films, “machines that generate empathy.” Starting from their…
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Review| Palindrome (2020)
Marcus Flemmings reached out to me after I reviewed his last film, Six Rounds, to view and review his newest…
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Review| The Quarry
Scott Teems’ new film, The Quarry, strikes upon two of my deepest obsessions: southern gothic literature and music. It doesn’t…
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Onward to a Fatherly Love
Since the first generation of young men in the digital age grew up and started becoming parents, dad culture has…
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The Mere Breath of Winning in Uncut Gems
When director Martin Scorsese finally got a chance to see the first cut of Joshua and Benny Safdie’s 10-years-in-the-making Uncut…
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Review| After Midnight (2020)
Jeremy Gardner is one of those actors that is instantly recognizable and yet many may not know—unless, like me, you…
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Review| Gretel & Hansel (2020)
Osgood Perkins (director of I Am the Pretty Thing that Lives in the House and The Blackcoat’s Daughter) has done…
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Review| Color Out of Space (2020)
I have written elsewhere about the troubles that surround the legacy of H.P. Lovecraft and the shadow his oeuvre casts…
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