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Review| Bad Boys For Life
Michael Bay took a backseat approach to the newest installment of the Bad Boys franchise—a franchise that was significant for…
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Review| Underwater (2020)
Everything about the description and trailer of this film screams “This is like Alien, but, like, in the less vast…
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Review| The Grudge (2020)
After Nicolas Pesce’s moody arthouse debut in 2016 with The Eyes of My Mother and his follow-up, Piercing—an adaptation of…
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Review| A Hidden Life
“…for the growing good of the world is partly dependent on unhistoric acts; and that things are not so ill…
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Review| The Lighthouse (2019)
For a while now I have been contemplating how filmmaking changed with the introduction of sound in film. The dawn…
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Review| The Lion King (2019) – All Roar, No Heart
My relationship with the 1994 Disney animated classic The Lion King has been rather tumultuous over the years. I knew…
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Review| Scary Stories to Tell in the Dark
There is this detail that runs through André Øvredal’s adaptation of the classic 80s young adult horror anthology series, Scary…
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Review| Skin (2019)
What are the factors and events that must happen in order to shift a person away from a violent and…
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