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About Alexis Johnson

Alexis Johnson (@phoenicianrises) is a storyteller by trade. Though her particular passion is writing for film and television, she enjoys expressing herself through a variety of creative outlets. She currently resides in the desert land of Arizona with her husband Eric and two rascally kitties.

Review| Aquaman

Review| Aquaman

December 26, 20181

I have written many film analyses, but I am not a film critic. What I am is a film fanatic,…

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Review| The Nutcracker and the Four Realms

Review| The Nutcracker and the Four Realms

November 5, 20180

In a time when Disney is more known for taking the wheel on gigantic franchises, or remaking its own animated…

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Trektember: Context is for Kings | Star Trek: Discovery

Trektember: Context is for Kings | Star Trek: Discovery

September 5, 20182

“Universal law is for lackeys. Context is for kings.” – Captain Gabriel Lorca con•text /käntekst/ The circumstances that form the…

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Review| Farenheit 451 – The Burning Heart of Man

Review| Farenheit 451 – The Burning Heart of Man

May 22, 20180

All I had to see was the poster with the two awesome Michael’s on it and I was ready to…

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Reviewing the Classics| Rashomon

Reviewing the Classics| Rashomon

March 14, 20180

“A human life is so frail, as fleeting as the morning dew.” – the Priest, Rashomon “What is your life?…

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Review| A Wrinkle in Time, and Sanitizing the Darkness

Review| A Wrinkle in Time, and Sanitizing the Darkness

March 14, 20180

As a filmmaker myself, I completely understand that not everything is translatable from page to screen. Filmmakers are readers just…

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Contributor 2017 Top Ten| Alexis Johnson

Contributor 2017 Top Ten| Alexis Johnson

January 10, 20180

This week at Reel World Theology we are featuring the top ten lists of contributors to the site. You can…

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Review| The Breadwinner

Review| The Breadwinner

December 6, 20170

While Gal Gadot’s Wonder Woman remains my heroine of the year, The Breadwinner’s Parvana is a steadfast and intrepid contender.…

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About Reel World Theology

In today’s world, the medium of film is reaching more and more people than ever before. With American domestic box office sales of over $10 billion in 2012, cinema has a direct line into our culture, our homes, and even our beliefs. It would be foolish to think that these movies, all of which are telling narratives of heroes and villans, science fiction and history, and everything in between, do not have direct access to dictating culture and ideology.

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