• Home  /
  • Articles posted by Blake I. Collier
  • (Page 2)

This is bcollier's page

All posts by Blake I. Collier

About Blake I. Collier

Blake I. Collier hails from the flatlands of the Texas Panhandle, but currently resides in Tulsa, Oklahoma with his wife and son. He draws lines (and the occasional circle) for his day job. He has written for various websites mostly about horror and film, but occasionally about the other various facets of existence. He is co-host of So Grosse Such Pointe Much Blank, a podcast focusing specifically on the 1997 film, Grosse Pointe Blank. He, also, has a chapter on QAnon and the 2008 film, Martyrs, in Toxic Cultures: A Companion from Peter Lang Publishing. You can reach him at blakeicollier@gmail.com.

The Bright Abysses of The Lighthouse (2019) & Sunshine (2007)

January 17, 20200

“And Moses hid his face, for he was afraid to look upon God.” Exodus 3:6 (NKJV) The story of Moses…

Read more

Review| Underwater (2020)

January 15, 20200

Everything about the description and trailer of this film screams “This is like Alien, but, like, in the less vast…

Read more

Review| The Grudge (2020)

January 14, 20200

After Nicolas Pesce’s moody arthouse debut in 2016 with The Eyes of My Mother and his follow-up, Piercing—an adaptation of…

Read more

My Top Ten 2019: Blake I. Collier

January 13, 20200

#10: Horror Noire: A History of Black Horror I read Robin Means Coleman’s history of African American representation in horror…

Read more

Watchmen (2019): Full Series Review

January 3, 20200

During the first half of the series, it would not have been odd for a viewer to assume the crux…

Read more

Review| A Hidden Life

December 12, 20191

“…for the growing good of the world is partly dependent on unhistoric acts; and that things are not so ill…

Read more

Watchmen (2019): Midpoint Review

November 26, 20190

“If no one remembers a misdeed or names it publicly, it remains invisible. To the observer, its victim is not…

Read more

Review| The Lighthouse (2019)

October 31, 20191

For a while now I have been contemplating how filmmaking changed with the introduction of sound in film. The dawn…

Read more