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All posts by Griffin Kale

About Griffin Kale

Griffin Kale (@griffin_kale) is a newly converted coffee drinker living in Greensboro, NC. Although he doesn’t post much, you’ll soon be able to keep up with his life’s work, a proto-fantasy novel, at griffinkale.com. He’s generally intense about most things, especially comics, video games, music and Wes Anderson. Follow him on Twitter and Instagram (@gakale).

Director’s Cut| Wes Anderson’s ‘Rushmore’

Director’s Cut| Wes Anderson’s ‘Rushmore’

February 4, 20160

“The secret, I don’t know. I guess you’ve just gotta find something you love to do and then do it…

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Director’s Cut| Wes Anderson’s ‘The Life Aquatic with Steve Zissou’

Director’s Cut| Wes Anderson’s ‘The Life Aquatic with Steve Zissou’

January 21, 20160

If you’re reading this, it’s likely you don’t have to think to hard when asked what your favorite movie is.…

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Review| The Hateful Eight

Review| The Hateful Eight

January 5, 20161

“We still have a long way to go, but hand in hand I know we’ll get there.” -Abraham Lincoln (via letter…

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Director’s Cut| Wes Anderson’s ‘The Royal Tenenbaums’

Director’s Cut| Wes Anderson’s ‘The Royal Tenenbaums’

December 3, 20150

The visuals of Wes Anderson’s movies are iconic. His set style, cinematography and color palate make his pictures stand out…

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Review| Skyfall

Review| Skyfall

November 5, 20150

When Daniel Craig blew all of our minds with his amazing Bond reboot in Casino Royale, I think many of…

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Review| Licence to Kill

Review| Licence to Kill

November 2, 20151

Rating the Bond’s is like asking me which one of my kids I love more. Luckily, I don’t have any…

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Review| Crimson Peak

Review| Crimson Peak

October 19, 20151

Edith Cushing: “Ghosts are real, that much I know. I’ve seen them all my life…” Horror movies aren’t particularly my…

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Review| Mission Impossible II

Review| Mission Impossible II

July 28, 20150

There was a time in the mid to late-90s when John Woo could do no wrong, and if you’ve seen Broken…

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About Reel World Theology

In today’s world, the medium of film is reaching more and more people than ever before. With American domestic box office sales of over $10 billion in 2012, cinema has a direct line into our culture, our homes, and even our beliefs. It would be foolish to think that these movies, all of which are telling narratives of heroes and villans, science fiction and history, and everything in between, do not have direct access to dictating culture and ideology.

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