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All posts by Hannah Lorence

About Hannah Lorence

Hannah Lorence loves a good story. She discusses film on her blog, cinemaquina.co , and picks up freelance writing jobs covering food and film when she's not working at her day job in marketing. She recently moved to Brooklyn with her husband, James, and big, fluffy, clumsy Goldendoodle, Max. When she's not blogging or working on her screenplay, you can find her at the local movie theater, popcorn and Icee in hand

Review| Skate Kitchen

Review| Skate Kitchen

August 30, 20180

Great films are able to transcend their genre and the context that the protagonist’s story is unfolding in. Great storytelling…

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How the Academy is Missing the Mark

How the Academy is Missing the Mark

August 23, 20180

It’s been a couple of weeks since The Academy of Motion Picture Arts and Sciences announced it would be adding…

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Review| Never Goin’ Back

Review| Never Goin’ Back

August 14, 20180

Adulting is hard. Jessie (Camila Morrone) and Angela (Maia Mitchell) put that into sharp focus in their small Texas town…

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Review| Eighth Grade

Review| Eighth Grade

July 31, 20180

Watching Eighth Grade is an experience. Kayla (played brilliantly by newcomer Elsie Fisher) is trying to figure out who she…

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Review| Tully

Review| Tully

June 1, 20180

Tully hit theaters right before Mother’s Day. The trailer shows a raw, though apt picture of motherhood and I would…

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Review| Beirut

Review| Beirut

May 4, 20180

Last month was a benchmark in terms of the number of amazing film-watching experiences for me. First was Isle of…

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Review| Game Night

Review| Game Night

February 27, 20180

Like the art of misdirection, comedies can hold an audience’s attention with on-point comedic timing or a well-placed moment of…

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Contributor 2017 Top Ten| Hannah Lorence

Contributor 2017 Top Ten| Hannah Lorence

January 9, 20180

This week at Reel World Theology we are featuring the top ten lists of contributors to the site. You can…

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About Reel World Theology

In today’s world, the medium of film is reaching more and more people than ever before. With American domestic box office sales of over $10 billion in 2012, cinema has a direct line into our culture, our homes, and even our beliefs. It would be foolish to think that these movies, all of which are telling narratives of heroes and villans, science fiction and history, and everything in between, do not have direct access to dictating culture and ideology.

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