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Review| Underwater (2020)
Everything about the description and trailer of this film screams “This is like Alien, but, like, in the less vast…
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Review| The Grudge (2020)
After Nicolas Pesce’s moody arthouse debut in 2016 with The Eyes of My Mother and his follow-up, Piercing—an adaptation of…
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Review| Doctor Sleep
“What do you mean, they’re trying to make a sequel to The Shining?” is what I thought when I first…
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S07 E03 – Zombieland: Double Tap and Sequel Necessity
On this episode of the Reel World Theology Podcast: While maybe not an awards contender in 2019, we talk about…
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Review| The Lighthouse (2019)
For a while now I have been contemplating how filmmaking changed with the introduction of sound in film. The dawn…
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Reel World: Rewind #042 – Zombieland
On this episode of Reel World: Rewind… Josh finally gets Fizz back on Rewind to talk about a movie he…
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Hell Is Behind That Door: Suspiria (1977 & 2018) and the Curse of Knowledge
How does one go about remaking Dario Argento’s blood-splattered hallucination Suspiria? One doesn’t. Were one to try they would wreck…
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Reel World: Rewind #040 – Jaws
On this episode of Reel World: Rewind… Closing out the summer on a high note, Reel World staffer Josh Crabb…
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